and goes through the most modern section of the city. This is the football stadium |
Apartment buildings |
Part of a train station |
The same train station. |
A modern take on the blue and white tiles. |
The Museum is housed in the church and convent of Madre de Deus. |
Trying to avoid a large school group I slid into the temporary exhibit of ceramics first. |
The focus was on 1900 to 1920 so there was a lot of Arte Nouveau |
but at the end of this room |
was this tiled staircase and then I was into what I had come for. |
The museum follows the development of tiles from the Moorish, geometric patterns. |
The techniques and their development are described. |
I overheard one woman say it reminded her of a Persian rug and she was right, they were on the floors like rugs. |
The next stage in the evolution was the addition of motifs from nature |
starting to add depth |
and some shading. |
The patterns became more complex |
and beyond repetitive shapes |
into pictorials |
and story telling. |
Many of the convent's tiles remain in place |
Geometrics |
and pictorials. |
In passage ways and windows |
and in the chapels. |
There were also examples of modern tile art. This by Marie Ana Vasco Costa, 2018 |
I didn't see the face in this until I looked at the photo. By Rita Joao e Pedro Ferriera, 2018. |
Some Arte Nouveau. Rafael Bordalo Pinheiro, 1905. |
And some from the new location for tile art; wall covering from Rossio and Restauradores subway stations |
"Shepherds" by Maria Kreil, 1955 |
There was also a huge panoramic of Lisbon before the 1755 earthquake. |
Lastly, one for Nicola, as they are all quilt block patterns."Tiles from Oceanario de Lisbon" by Ivan Chermayeff, 1998. |
No comments:
Post a Comment