| and goes through the most modern section of the city. This is the football stadium |
| Apartment buildings |
| Part of a train station |
| The same train station. |
| A modern take on the blue and white tiles. |
| The Museum is housed in the church and convent of Madre de Deus. |
| Trying to avoid a large school group I slid into the temporary exhibit of ceramics first. |
| The focus was on 1900 to 1920 so there was a lot of Arte Nouveau |
| but at the end of this room |
| was this tiled staircase and then I was into what I had come for. |
| The museum follows the development of tiles from the Moorish, geometric patterns. |
| The techniques and their development are described. |
| I overheard one woman say it reminded her of a Persian rug and she was right, they were on the floors like rugs. |
| The next stage in the evolution was the addition of motifs from nature |
| starting to add depth |
| and some shading. |
| The patterns became more complex |
| and beyond repetitive shapes |
| into pictorials |
| and story telling. |
| Many of the convent's tiles remain in place |
| Geometrics |
| and pictorials. |
| In passage ways and windows |
| and in the chapels. |
| There were also examples of modern tile art. This by Marie Ana Vasco Costa, 2018 |
| I didn't see the face in this until I looked at the photo. By Rita Joao e Pedro Ferriera, 2018. |
| Some Arte Nouveau. Rafael Bordalo Pinheiro, 1905. |
| And some from the new location for tile art; wall covering from Rossio and Restauradores subway stations |
| "Shepherds" by Maria Kreil, 1955 |
| There was also a huge panoramic of Lisbon before the 1755 earthquake. |
| Lastly, one for Nicola, as they are all quilt block patterns."Tiles from Oceanario de Lisbon" by Ivan Chermayeff, 1998. |
No comments:
Post a Comment